So trapped in their own ways that seemingly nothing can break them out of their idiosyncrasies. This is where Oliver and Jordana could end up if they aren’t careful. You can see why they were a good match for each other – the idea of Noah Taylor’s depressed, scraggly professor ripping his sweater vest off to woo Hawkins’ neurotic wannabe actress is one of the funniest images in the film, even though it’s not shown because they bring so much depth to such lifeless characters – and why they are drifting apart. Paddy Considine (pictured above rocking the silliest haircut I’ve seen outside a Coen brothers film) brings a kind of quiet humanity to a role that could have been over the top and silly, the spiritual new-age-y motivational speaker that used to date Sally Hawkins‘ Jill Tate (Oliver’s mom) before she married Noah Taylor‘s Lloyd Tate. The adult actors play their roles well, too. Even if I didn’t care for the two romantic leads (Oliver and Jordana), their actors ( Craig Roberts and Yasmin Paige) perform them quite well. They’re kicked out of their own world and into reality, as much as they try to resist. With the reintroduction of Oliver’s mom’s old flame creating marital strife and Jordana’s mom having brain cancer these two teenagers are forced to deal with issues outside themselves. Luckily, the film does that for me after the first section. Stop acting so uninterested in everything. Tell them that they need to stop being so pretentious. I just wanted to go into the screen and sit them down for a little heart to heart in the early goings. The practically torture each other, even though they both want to be with each other. Their relationship seems to be based on doing as little as possible that could be perceived as actual fun. And she’s not immune to emotional problems. He’s the victim of bullying but bullies others in order to get the attention of a girl, Jordana Bevan. He’s got a big ego with little to back it up. Yes? The problem (or not) is that Oliver Tate needs a good slap in the face. But is that enough? Does the story work beyond the technical achievements? People freeze while the camera moves and when his father talks about “being underwater” the next shot shows him hunched below the large fish tank previously hidden off-screen. When Oliver mentions in an early voice over that this moment would be best suited to a rising crane shot but that the film of his life would only have the budget for a zoom out the frame predictably zooms out, even a bit awkwardly.
SUBMARINE 2010 SCENES FREE
It’s a subjective film, we only see the events through the lens of Oliver Tate, and as such Ayoade is free to break reality as often as he wants. Everything looks right, feels right, acts right. If there is one thing that Submarine has going for it, it’s the supreme technical craft of the film. He directed the superb Pulp Fiction/My Dinner With Andre episode of Community earlier this year but even that didn’t let on just how good Ayoade is behind the camera. He is brilliant in the show but it didn’t prepare me for his superb directorial prowess. The casting is perfect as well, each actor makes their character ring with an authentic and lively human truth.I’ve seen Richard Ayoade in a few things including The IT Crowd, a hilarious Britcom where he plays a socially awkward IT guy of the highest order.
SUBMARINE 2010 SCENES TV
‘Submarine’ has created its own category, as it’s quite different from Ayoade’s brilliant TV comedies, It has a very unique, personal language and sensibility, which is equally thrilling and satisfying for the viewers. The film also shows the tremendous versatility and courage of filmmaker Richard Ayoade. As a result of an artfully made, endearing and enjoyable experience, the film gently implies a progressive and positive message. While watching it, I felt like I was experiencing the story first hand. Along with being very funny, It genuinely understands and insightfully explores, teen anxiety and communication/perception troubles. ‘Submarine’ is a wonderfully engaging film. Rated R for language and some sexual content R | 1h 37min | Comedy, Drama, Romance | 12 September 2010 (Canada)ġ5-year-old Oliver Tate has two objectives: To lose his virginity before his next birthday, and to extinguish the flame between his mother and an ex-lover who has resurfaced in her life.
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